MEET THE COMPOSER

D'Alfonsi' ,  Keeper of Invisible Scores

No one knows exactly where D'Alfonsi' was born. Some say Venice, among fogged canals and crumbling palaces; others whisper Florence, in a courtyard where music lingered like incense. What is certain is that his earliest memories were not of faces or places, but of sound, deep, vibrating, inescapable. The cello became his first language, and through it, he learned that silence could be as telling as the notes themselves.

He moved through the world like a shadow, attentive to what others overlooked: the faint curl of smoke from a candle, the trace of bitter citrus on a winter breeze, the memory of a rose pressed between pages of a forgotten book. To him, scent was sound rendered invisible, and music was a fragrance that could be heard.

D'Alfonsi' did not study perfumery in schools; he discovered it in quiet rooms and empty theaters, experimenting with essences as he once experimented with harmonics. Each composition is deliberate, almost secretive: a note held too long, a shadow traced too lightly. He releases only a handful of creations, each one fleeting and intimate, as if they were meant to vanish as soon as they are experienced.

To wear a D'Alfonsi' perfume is to step into a hidden world. Time stretches. Memory sharpens. Something familiar stirs at the edge of recognition, but slips away before it can be named.

D'Alfonsi' does not craft perfumes to be possessed. He crafts them to be discovered.